Mampoer occupies a distinct place within South Africa's material and intangible heritage, reflecting the agricultural adaptability of frontier communities and the resilience of craft traditions under shifting regulatory regimes. While widely recognised in popular culture, its documented history remains comparatively thin.
BOOK REVIEWS
‘Geomotional’ is a remarkable and beautifully illustrated exploration of – as the sub-title says – ‘Geometric art, past and present’. The book, which has us journey through images, words, poetry and song, and gives account of a ‘performance-installation’, is compiled by Mary Elizabeth Lange, who is prolific in her writings on Indigenous art and story, and various intersections with heritage.
BLUE PLAQUES
In 1980 Eduard Lippert established a forest, known as the Sachsenwald, on part of the farm Braamfontein. Part of this was given to the people of Johannesburg in 1904 for the specific use as a public park and named Herman Eckstein Park after a leading mining pioneer. In 1906 the City Council built a lake on this section, which was marshland.